Today is the 20th Anniversary of the release of Haibane Renmei, which is a great time to post art. Good art, you ask? Oh the best - early 2000′s wallpapers from the dregs of the internet, of course!
Nothing says “graphic design is my passion” like throwing black font on a black background because, like, its the Black Parade? It has to be black???
Another genre of Wallpaper at the time was the ‘anime + poetry’ blend, which Haibane was a poster child for:
Posted by “Knight Of Lain” in 2005 as their first wallpaper, King tier shit. This genre really died out by ~2010, but I think early internet had a lot of quasi-spiritual, “Christian-ish but I don’t like, read the bible ya know?” teens for whom Haibane’s ennui & iconography really hit home. Those people are either practicing capital-W Witches or Gwyneth Paltrow now.
Something I did discover when browsing DeviantArt was the people who uploaded “wallpapers” that were just screenshots? Of their desktops? So like their UI was still there, so you couldn’t really download it as a wallpaper:
At the time that would be frustrating, now its perfect Y2K-core vibes. “Posted in 2006″ yeah I gathered that, show me the Warcraft 3 mods don’t tease me like this!!
To diversify a bit, I did find this Winamp skin in the Museum, fully ‘flipped image’ and everything like how it was done at the time:
I find this particularly amusing because I know why it exists - Serial Experiments Lain was hugely popular with the techno scene for obvious reasons, so there are tons of winamp skins for that show, and Haibane is related to Lain, so even though Haibane shares like none of Lain’s aesthetic in that regard…why not right?
On the more professional side, Megatokyo Author Fred Gallagher absolutely did a Haibane-inspired sidestory in his webcomic in 2007! He loved the anime and I think its ‘genre’ was something he was trying hard to emulate in the late 2000′s:
Link if you want to read it, though the Haibane elements are more aesthetics than plot.
To end this a little meta, Haibane wallpapers, like everything back then, were built out of “constituent parts”, official art from scanned artbooks and promotional material, cut & recoloured in photoshop. One of the big source ones at the time came from this image, if I recall correctly:
Which is funny, because it kindof isn’t from Haibane Renmei? That isn’t Rakka. Its from Yoshitoshi Abe, in a doujin he published in 1998 *called* Haibane Renmei, but it was extremely different from the show. Its just a collection of standalone art jumping between cute and gothic-creepy, and these angels live in modern Japan:
The latter creepy stuff is actually kindof funny, as you can tell this guy is definitely designing for Serial Experiments Lain at the time - which shares that sensibility deeply - but its an aesthetic that would barely survive in the actual product by the time the *true* predecessor doujin of the anime, Haibane of Old Home, would be released in 2001. But since so many Haibane fans *were* alt-edgy goth loving freaks due to how Haibane was situated & transmitted in western anime cultural spaces at the time (and its inherent themes, not taking that away), pulling from the extant creepy art out there was a natural instinct. So that og image just…became Rakka.
You can check out the 1998 doujin here in full if you want - if you are a fan of NieA under 7, the other anime based on one of ABe’s doujin, you will definitely notice some proto-characters for that story in this.
(Also since it has happened before, every art featured here is unironically great, their creators are great for making them. Cringe is dead, I love all of this)
it’s going to bother me til the end of my days if people walk out of Nope and think that Jordan Peele is saying people of color and animals are treated the same or highly similarly in the filmmaking industry. this is my own analysis of the film’s messaging so there might be some stuff that i’m missing, but here goes:
